Are you presently a musician, artist or maybe in a band that may be concentrating on mixing and mastering studios? This information is component of a series designed to help you have the best experience every time you’re inside the recording studio. This issue for this post is what do I need to give a mixing session at a professional studio. I’m gonna assume you’ve recorded your own personal song and will the studio to work alongside a specialist mix engineer. It is an important question because there is a lot of confusion around this subject.

If you’ve recorded your personal song you’re likely by using a digital audio workstation (Pro-Tools, Logic, Cubase, Reaper, etc.) to help make your multi-track recording. So you’ll have a number of different tracks with assorted instruments (bass, guitars, kick drum, snare drum, etc.) Your mix engineer will be needing all of those tracks individually. There’s a number of ways this could occur. One of many ways is always to bring the entire studio session project for your mix engineer and also have them export the audio tracks they want.

However, if you are using mix hit song that is different from your engineer then you will have to export or render each track individually to your separate stereo/mono audio file (.WAV, etc.). You would probably try this by soloing every person track and rendering out just that track like a high-resolution audio file. It’s essential to render every track on the exact duration of your full song so everything syncs up properly whenever your mix engineer opens it up. So even when you have a vocal track that only plays incidentally from the song, the render of the track should always be the whole period of time of your own song.

Another essential consideration is the digital resolution you render your files to. This refers back to the sample rate and bit depth (most often 44.1khz and 16-bits). It’s vital that you render out on the native resolution, or maybe the resolution at which you recorded affordable mix engineer. Finally it’s critical that none of your individual tracks or perhaps your master track is clipping or “going to the red” and you have no effects around the master bus (compression, limiting, etc.) of your renders. Having a clean render ensures your mix engineer is capable of doing the best possible work for you. Simply copy all your tracks to a CD/DVD, USB stick or external drive and bring them to your mix engineer.